Essay on Violence in Cinema - 1572 Words

The representation of violence exacted upon women in cinema is inextricable from being projected upon all women. To provide a scene that objectifies the female is to reduce the feminine form to its non-dual state, e.g., a sexual object providing a vessel for male gratification (hubris and sexual) rather then being defined by its duality of sentient and physical forms. Those who construct scenes of violence against women are bound to a moral responsibility to subjectify the woman’s perspective, thus reestablishing the female as a victim rather then an object and rendering the act of violence intelligible (deplorable, open to interpretation). nbsp;nbsp;nbsp;nbsp;nbsp;The cast of Quentin Tarantino’s Kill Bill Volume 1 is predominantly†¦show more content†¦nbsp;nbsp;nbsp;nbsp;nbsp;As I consider these representations of violence from a male perspective, I experienced the most drastic male-female perspective shift from Alien. Sigourney Weaver’s character is objectified to instill the notion of her being as a sexual creature. Thus when the hideous creature takes her by surprise, the viewer is transported into a perspective which views the violent threat through the perspective of a sexual object. I believe this is how females view sexual perpetrators, as something foreign, monstrous, and alien. The use of Narrative amp; Cinematography in the first scene of Natural Born Killers act as vehicles to convey character background and social commentary. As a mockery of sensationalism in the news media and the glorification of violence in entertainment, the opening scene is significantly accomplished. To establish a sense of ludicrousness with regard to the integration of malicious action, Oliver Stone introduces the use of black amp; white cut scenes with symbolic intent. In my opinion, these are meant to place the viewer into the minds of Mickey and Mallory (a satire of Mickey amp; Minnie?), who clearly do not internalize responsibility for the pain they cause others. As the bullet fired at the female cook and the knife thrown at the man outside of the diner are seen in slow motion black amp; white cutShow MoreRelatedRole of Violence in the History of Cinema987 Words   |  4 PagesViolence plays a major role in the history of cinema. Both Alfred Hitchcock and Quentin Tarantino h ave produced a litany of films that have imagery or plots that include violent acts. However, their different directorial visions and styles make it so that Hitchcock and Tarantino films are nothing alike. This is because Hitchcocks objective was to make the audience feel afraid, tense, and anxious for the protagonist, whereas Tarantinos objective is to illustrate the absurdity of violence by elevatingRead MoreJohn Woo: from Hong Kong to Hollywood, the Killer and Face/Off874 Words   |  4 Pagesexplosive pyrotechnics seem to be privileged over plot, narrative or character (Hanke 41) and yet notes that Jillian Sandell maintains the opinion that Woo does not celebrate this violence, but rather uses it to represent a nostalgia for a lost code of honor and chivalry (Hanke 1999: 45). While characterized by violence, Woos films define masculinity within a changing world. He does not set out to make violent films, defending A Better Tomorrow by saying Its not a gangster movie. Its a f ilmRead MoreAnalysis Of Goodfellas, Casino And The Departed1336 Words   |  6 Pagesguilt and redemption, machismo, modern crime, and gang conflict. 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Francois Truffaut, one of these Young Turks, developed in his article â€Å"A Certain Tendency in French Film,† an attack on Hollywoo d directors who seemed to be more focused on creating a faithful adaption from literary sources instead of using filmsRead MoreThe Godfather Film Analysis857 Words   |  4 PagesAmericans in â€Å"The Godfather† movies which involve characters, Italian foods, family, and violence. Food plays a huge role in The Godfather movies. Characters in the movies are always seen eating Italian food such as pasta. If the directors were not referring to any specific ethnic group than why were all the movies showing characters with Italian names eating foods that were known to be â€Å"Italian† foods. Also, violence is a major key in the movie which is also stereotyped to Italian Americans by them beingRead MoreParadise Lost: Censorship and Hypocrisy in the Italian Film Cinema Paradiso840 Words   |  4 PagesI love movies. 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